Case Study 2 — Amara: Grace, the Framework, and the Work Ahead
What She Already Knew
Amara had known, in some version, since she was approximately eleven years old.
She had known that Grace's drinking was not the same as other people's drinking. She had known it the way children know things that no adult has confirmed: by the texture of it, the way it shaped the evenings, the specific quality of the 7 PM hour when it became unclear whether tonight would be an okay night or one of the other kinds.
She had not had a name for it. The family had not had a name for it. It had been, for most of Amara's childhood, simply the weather of the house — unpredictable, sometimes fine, occasionally severe, and always the organizing condition around which everything else arranged itself.
The chapter's clinical description of alcohol use disorder gave her a name that she had intellectually possessed for two years of clinical training and had not, until now, allowed herself to apply to her mother directly.
The Chapter as Personal History
She read the addiction chapter in the practicum library on a Tuesday evening, after a long clinical day.
The section on risk factors: Approximately 50% of people with addiction have a comorbid mental health diagnosis — depression, anxiety, PTSD, ADHD. Substances provide short-term relief from symptoms of these conditions (the self-medication hypothesis).
She thought about Grace: the depression that had never been treated, the anxiety that had driven Grace to three different apartments in two cities before Amara was ten, the way the drinking had tracked Grace's emotional state — worse when Grace was under pressure, somewhat better when things stabilized.
The question is not why the addiction, but why the pain.
She sat with that for a long time.
Grace had had pain. Amara had known this without having the framework to hold it — had known it in the way she knew the grandmother's kitchen as warm and the home kitchen as variable, in the way she knew that the calls from Aunt Miriam were about Grace before they were about anything else. Grace had been in pain, and the drinking had been Grace's best available solution to a problem she didn't have other tools to address.
This did not make the childhood easier in retrospect. It did not erase the 3 AM hours, the covered lunches, the performance of normalcy at parent-teacher conferences. But it reframed it in a way that mattered: Grace had not done this to Amara. Grace had been doing this to the pain, and Amara had been in the radius.
She wrote in her journal: "Why the pain?" is the question I should have been allowed to ask when I was eleven. I'm asking it now, at 26, from a psychology library, two years into a program that is trying to teach me to ask it of strangers. Asking it about my mother is harder than asking it about anyone else.
The Supervision Conversation
She brought it to Marcus the following week — not as a personal disclosure she didn't intend to make, but because one of her clients' cases had made the personal material unavoidable, and she had learned enough about parallel process to recognize it.
The client was a 19-year-old student referred for "family stress" whose initial presenting description, within two sessions, had revealed a father with severe alcohol use disorder. The client had been doing what Amara had done at that age: managing. Covering. Making the situation legible by becoming the competent one.
Amara: "I want to be careful here. I have personal history that's directly relevant to this client's situation. I want your guidance on how to manage that."
Marcus: "Tell me what's there."
She told him about Grace. Not everything, and not for the first time — Marcus knew the outlines from earlier supervision conversations. But she told him specifically about the chapter, the reframe, and what she was noticing in herself when she sat with the 19-year-old.
Marcus: "What are you noticing?"
"Protective anger. When she describes covering for her father, I want to say: 'That's not your job.' Which is clinically appropriate, but I need to be sure I'm saying it for her, not for the 11-year-old version of me who didn't have anyone to say it."
Marcus: "That's a sophisticated observation."
"Parallel process."
"Yes. What do you do with it?"
"I use it as data. My protectiveness tells me something accurate about what's happening in the room — the client probably does need someone to name that it's not her job. But I have to stay curious about whether my timing and intensity are calibrated to her readiness or to my own unfinished material."
Marcus was quiet for a moment. "What is the unfinished material?"
Amara: "I've never had a conversation with Grace about the drinking directly. Not ever. Not as a child, obviously. But not as an adult either. I've worked around it. I've thought around it. But I've never said: I want to talk about what the drinking was like for me as a child."
"Are you going to?"
"I don't know. I'm starting to think it matters whether I do."
The Clinical Application
Amara's work with the 19-year-old client — she will call her Lily in this narrative — developed through the lens of the chapter over the following weeks.
In session four, Amara offered a psychoeducation piece. She chose her words carefully.
"I want to describe something about how addiction works, if that would be okay. Not to explain your father's behavior, but because understanding the mechanism sometimes makes the impact feel less personal."
Lily: "Okay."
Amara described the dopamine sensitization — non-technically, in language a 19-year-old could use. The intensified wanting with diminished liking. The prefrontal cortex's degraded capacity. The way the behavior stops being about choice in the same way that earlier-stage behaviors had been.
Lily: "So he can't stop?"
"Not without support, and often not without relapse, and always not by deciding to. But people do recover. It's one of the most treatable things we know of, when treatment happens."
Lily: "He won't get treatment."
"That's common. The denial — the inability to see the problem accurately — is part of the condition. It's not stubbornness."
"It feels like stubbornness."
"I know it does. That's a real feeling. And his inability to see it isn't about how much he cares about you."
Lily went quiet. Then: "My therapist before you said I had to decide whether to keep hoping or to give up. That I couldn't sustain both."
Amara: "I think that's a false binary. You can grieve what isn't available without giving up on the possibility that it could change. You can love him and protect yourself. You can stop covering for him without abandoning the relationship."
A long silence. Lily: "How do you know that?"
Amara was careful. "From clinical training. And from having thought about it for a long time."
She did not say more. Lily didn't need Amara's personal history. But she also didn't need to hear that these things were simply theoretically possible. She needed to hear them from someone who believed them because they had learned to, which was different from someone who believed them because they had never needed to.
The CRAFT Framework
In her preparation for working with Lily, Amara had been reading about CRAFT — Community Reinforcement and Family Training — as an evidence-based framework for family members.
The CRAFT finding that stopped her: Family members can influence the probability of treatment engagement without controlling the person's addiction. This is not codependency — it is strategic kindness.
She brought it to her peer group.
The group had been meeting for nine months now. Sasha, Diana, Tomás, and Amara. They had developed a culture of genuine clinical challenge — less the supportive processing of the early months, more the kind of thinking-aloud that happened when you trusted your colleagues enough to be wrong in front of them.
She described the CRAFT framework and the Lily case (without identifiers). Diana asked: "How do you present CRAFT to a family member who has been doing the wrong version of support for years? There's a lot of shame in realizing that your enabling behavior was making things worse."
Amara thought. "The same way you present any therapeutic reframe: by naming it as a natural response to an impossible situation. The person who enables their parent's addiction was doing the only thing that seemed available. The CRAFT approach doesn't mean what they were doing was wrong — it means there's a more effective toolkit available now."
Tomás: "I have a client whose sister is in late-stage alcohol use disorder. The client is exhausted. She wants to help but she's depleted. The CRAFT thing I can't figure out is how to support the client's own wellbeing without it feeling like abandonment of the sister."
Amara: "That's the core CRAFT tension. The family member needs permission to take care of themselves independent of the outcome for the person with addiction. Not because the person doesn't matter. Because you can't sustain effective support from depletion."
Diana, quiet: "That's also just — a general thing we're working on."
Amara nodded. "Yes."
The Grace Question
Three weeks later, in late May, Amara called Grace on a Wednesday evening.
They talked, as they usually talked, about the surface of things: Amara's program, Grace's job (she had been at the same accounting firm for 14 months now, the longest she had held a position in the last decade), the neighborhood, the news.
Toward the end of the call, Amara said: "I've been reading about addiction. For my clinical work."
Grace: "Okay."
"I've been thinking about your drinking. When I was growing up."
A pause. The kind of pause Amara had learned to let be what it was.
Grace, quietly: "I know it was hard."
"I'm not calling to tell you what it was. I'm calling to tell you I understand more of what it was like for you. The chapter I was reading talked about the pain that addiction manages. I think you were in pain."
Another pause. Amara counted her breath.
Grace: "I was in pain for a very long time. I didn't know another way."
"I know."
"I'm better now. Not — I'm not going to say I'm perfect. But the Wednesday meetings. And I have a sponsor now. Cynthia." A pause. "She's a lot like your grandmother."
Amara felt something catch in her chest.
"I'm glad," she said. She meant it. Both the thing about Grace being better, and the thing about Cynthia.
"Can I ask you something?" Grace said.
"Yes."
"When did you stop being afraid of me?"
Amara thought about this. "I didn't stop all at once. I've been learning it slowly. I think the fear became something else."
"What?"
"Grief," Amara said. "And then something after grief that I'm still figuring out."
Grace was quiet. Then: "That sounds right. That's how it's been for me too."
Discussion Questions
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Amara's reframe — "Grace had been doing this to the pain, and Amara had been in the radius" — is both clinical and personal. What does applying the "why the pain?" question to someone in your own family require, emotionally and cognitively, compared to applying it to a client? Why might it be harder for people in helping professions to apply the frameworks they use professionally to their own families?
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Amara identified parallel process between her own history and Lily's case: "I need to be sure I'm saying it for her, not for the 11-year-old version of me." This is a sophisticated clinical self-awareness. What is the difference between a clinician's personal history being a liability (leading them astray) versus a resource (enabling authentic understanding)?
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Amara told Lily: "You can grieve what isn't available without giving up on the possibility that it could change." How does this statement navigate the tension between realistic acknowledgment of the current situation and retention of hope — and why might this framing be more useful for Lily than either "hold on" or "give up"?
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The CRAFT insight — that family members can influence treatment entry probability through strategic kindness — reframes the family member's role from passive victim to active (but not controlling) participant. How does this change the therapeutic work with family members, and how might it also benefit the family member independent of treatment outcomes?
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The phone call with Grace represents a shift in their relationship — not a resolution, but a different conversation. Amara names her experience as "grief, and then something after grief." What does this trajectory suggest about how people move through the long aftermath of growing up in a home organized around a parent's addiction?